The New Yorker's veteran music critic Sasha Frere-Jones is leaving the magazine to join Genius, a website devoted largely to annotating popular song lyrics, The New York Times reported Sunday.
Though the site originally launched as Rap Genius in 2009 -- billing itself as a forum where users could annotate verses from their favorite hip-hop tracks -- in recent months the company has shortened its name while broadening its scope. In July 2014, Genius raised $40 million in the hope of one day "annotating the world," adding rock music, sports, literature and restaurant menus to its desired purview. Frere-Jones, who spent 11 years on staff at The New Yorker, will join Genius as an executive editor focusing on the annotation of song lyrics -- a service that remains the site's calling card for the time being.
Frere-Jones told The Times that the site helps readers better understand the nuances of music -- one of the reasons he got into criticism in the first place -- but admitted that the move would come with some personal benefits as well.
"I’ll be honest,” he said. “I don’t want to stay up until 4 a.m. anymore at shows, and you can annotate lyrics during the day.”
Frere-Jones did not immediately respond to a request for comment from The Huffington Post.
Though he officially departs The New Yorker this week, and the publication announced it will be hiring a new critic in his place, Frere-Jones is still expected to contribute the occasion article to the magazine.
The New York Times also reports that Genius has hired Christopher Glazek -- a former fact-checker at The New Yorker -- to helm the sites political and cultural annotations.
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Though the site originally launched as Rap Genius in 2009 -- billing itself as a forum where users could annotate verses from their favorite hip-hop tracks -- in recent months the company has shortened its name while broadening its scope. In July 2014, Genius raised $40 million in the hope of one day "annotating the world," adding rock music, sports, literature and restaurant menus to its desired purview. Frere-Jones, who spent 11 years on staff at The New Yorker, will join Genius as an executive editor focusing on the annotation of song lyrics -- a service that remains the site's calling card for the time being.
Frere-Jones told The Times that the site helps readers better understand the nuances of music -- one of the reasons he got into criticism in the first place -- but admitted that the move would come with some personal benefits as well.
"I’ll be honest,” he said. “I don’t want to stay up until 4 a.m. anymore at shows, and you can annotate lyrics during the day.”
Frere-Jones did not immediately respond to a request for comment from The Huffington Post.
Though he officially departs The New Yorker this week, and the publication announced it will be hiring a new critic in his place, Frere-Jones is still expected to contribute the occasion article to the magazine.
The New York Times also reports that Genius has hired Christopher Glazek -- a former fact-checker at The New Yorker -- to helm the sites political and cultural annotations.
Read More http://ift.tt/14qjCU3
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